{"id":771,"date":"2018-09-14T20:49:07","date_gmt":"2018-09-14T20:49:07","guid":{"rendered":"https:\/\/portlanddancefilmfest.com\/?p=771"},"modified":"2018-09-14T20:49:07","modified_gmt":"2018-09-14T20:49:07","slug":"riot","status":"publish","type":"post","link":"https:\/\/portlanddancefilmfest.com\/riot\/","title":{"rendered":"RIOT"},"content":{"rendered":"<p>[et_pb_section bb_built=&#8221;1&#8243; fullwidth=&#8221;on&#8221; specialty=&#8221;off&#8221; next_background_color=&#8221;#000000&#8243;][et_pb_fullwidth_image _builder_version=&#8221;3.14&#8243; src=&#8221;https:\/\/mluc09zuvfdk.i.optimole.com\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/portlanddancefilmfest.com\/wp-content\/uploads\/2018\/09\/RIOT05-1.jpg&#8221; \/][\/et_pb_section][et_pb_section bb_built=&#8221;1&#8243; prev_background_color=&#8221;#000000&#8243;][et_pb_row][et_pb_column type=&#8221;1_3&#8243;][et_pb_image _builder_version=&#8221;3.14&#8243; src=&#8221;https:\/\/mluc09zuvfdk.i.optimole.com\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/portlanddancefilmfest.com\/wp-content\/uploads\/2018\/09\/RIOT04.jpg&#8221; custom_margin=&#8221;|50px||&#8221; \/][\/et_pb_column][et_pb_column type=&#8221;2_3&#8243;][et_pb_text _builder_version=&#8221;3.14&#8243;]<\/p>\n<div class=\"freebirdFormviewerViewItemsItemItem freebirdFormviewerViewItemsTextTextItem\" role=\"listitem\" data-item-id=\"1056824746\">\n<div class=\"freebirdFormviewerViewItemsItemItemHeader\">\n<div class=\"freebirdFormviewerViewItemsItemItemTitleContainer\">\n<div dir=\"auto\" role=\"heading\" aria-level=\"2\" aria-describedby=\"i.desc.1056824746\">\n<h2>Iterview with RIOT<\/h2>\n<p><span style=\"font-weight: 400;\">RIOT<br \/>\n<\/span><b>Director <\/b><span style=\"font-weight: 400;\">Frank Ternier<br \/>\n<\/span><b>Director of Photography <\/b><span style=\"font-weight: 400;\">Frank Ternier<br \/>\n<\/span><b>Dancer<\/b><span style=\"font-weight: 400;\"> Alan Page aka Junior coldboy, Waldo Pierre aka Junior Tiger, Suzie Babin<br \/>\n<\/span><b>Composer<\/b><span style=\"font-weight: 400;\"> Fr\u00e9d\u00e9ric Duzan dit Zed<br \/>\n<\/span><b>Country<\/b><span style=\"font-weight: 400;\"> France<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>Animation<\/b><span style=\"font-weight: 400;\"> Frank Ternier \u00a0Laurent Moulin Magalie Charrier<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A black man is killed in an altercation with a vigilant neighbor and the police. The feeling of injustice is high. Emotion engenders riot &#8230;. In the absence of words, can the body take its revenge?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">&#8211; Experimental Award at Fiver, International videodanse Festival in Madrid (Spain)<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">&#8211; Special mention for the use of dance and music to illustrate important societal themes, Festival Animocje(Poland)<\/span><\/p>\n<p><strong>Describe, in as many or as few words as you see fit, the genesis of or inspiration behind your film.<br \/>\n<\/strong>I\u2019d wanted to make this film for years. 25 years have passed since the Rodney King Affair and yet the amount of similar incidents, or tragedies, is again on the rise in the United States, as well as in France, with the cases of Zyed and Bouna and, more recently, Adama Traor\u00e9. In light of these tragedies and sentiment of injustice, I wanted to tackle the question of how to speak about violence. The goal of the film is not to champion violence, but to ask at what point violent action becomes a legitimate means of resistance in the face of injustice.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"freebirdFormviewerViewItemsItemItem freebirdFormviewerViewItemsTextTextItem\" role=\"listitem\" data-item-id=\"1544422058\">\n<div class=\"freebirdFormviewerViewItemsItemItemHeader\">\n<div class=\"freebirdFormviewerViewItemsItemItemTitleContainer\">\n<div dir=\"auto\" role=\"heading\" aria-level=\"2\" aria-describedby=\"i.desc.1544422058\"><\/div>\n<div class=\"freebirdFormviewerViewItemsItemItemTitle exportItemTitle freebirdCustomFont\" dir=\"auto\" role=\"heading\" aria-level=\"2\" aria-describedby=\"i.desc.1544422058\"><strong>What is interesting or intriguing to you about engaging with dance for film vs. dance for stage? Or, if you are coming from a film background and working with dance is a secondary medium for you, what drew you to wanting to capture and work with dance?<\/strong><\/div>\n<div id=\"i.desc.1544422058\" class=\"freebirdFormviewerViewItemsItemItemHelpText\" dir=\"auto\">For Riot, the body and the dance are a means of strong narrative. That&#8217;s what made me passionate about making this film. in spite of the aggressive style of the dance, with its abrupt movements and the rage and anger sometimes evident on the faces of the dancers, it also represents \u00ablife\u00bb and all its \u00abjoy\u00bb. The physical, bodily expression becomes a last resort in the effort to be heard, a last place to channel one\u2019s anger. Considering the impotence of words to express anger, the body acts as the film\u2019s primary means of expression. The choreography in the film was conceived to as an exercise of political thinking, a practice of confrontation, a step towards involvement. In krumping, I saw a powerful form of expression that allowed me to choreograph the outraged body in all its tension, thus giving power and tension to the filmic image. As the sequences of real-life footage unfold, the tension on the streets &#8211; of those who stand by without being able to say a word &#8211; will become embodied in the movement of the dancers. Krumping allowed me to question violence and craft a delicate regard on the gestures of these dancer-rioters (throwing a Molotov cocktail, beating, being beaten, standing up, having doubts&#8230;) Choreography &#8211; the dance &#8211; is a tool of incarnation and incantation, expressing doubt, reflection, and helping us to become aware of the body and its actions, turning a precise gesture into a beautiful one, turning a violent gesture into an action of both poetic and heroic import.<\/div>\n<\/div>\n<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">Find more at: <a href=\"https:\/\/www.facebook.com\/ideal.crash.3\">Facebook<\/a>\u00a0 or http:\/\/idealcrash.fr\/<\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p><div class=\"et_pb_row et_pb_row_0 et_pb_row_empty\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div> Iterview with RIOT RIOT Director Frank Ternier Director of Photography Frank Ternier Dancer Alan Page aka Junior coldboy, Waldo Pierre aka Junior Tiger, Suzie Babin Composer Fr\u00e9d\u00e9ric Duzan dit [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":772,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[1],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>RIOT &#8226; Portland Dance Film 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